Name

Scientific name

Origin

African blackwood

Dalbergia melanoxylon

E. Africa

Amboyna burl

Pterocarpus indicus

S.E. Asia

Bocote

Cordia elaeagnoides

Mexico

Boire

Detarium senegalense

W. Africa

Bloodwood

Brosimum paraense

Brazil

Curly maple

Acer rubrum & Acer macrophyllum

USA

Cocobolo

Dalbergia retusa

Mexico & C. America

Coolibah burl

Eucalyptus microtheca

Australia

Gabon ebony

Diospyros mespiliformis & Diospyros crassiflora 

W. Africa

Goldfield burl

Eucalytpus sp.

Australia

Indian rosewood

Dalbergia latifolia

India

Ironwood

Olneya tesota

S.W. USA & Mexico

Jarrah

Eucalyptus marginata

Australia

Katalox

Swartzia cubensis

Mexico

Kingwood

Dalbergia congestiflora

Mexico

Koa

Acacia koa

Hawaii

Lacewood

Roupala brasiliensis

Brazil

Lignum vitae

Guaiacum officinale

Mexico

Maple, hard

Acer saccharinum

N.E. USA

Maple, soft

Acer rubrum & Acer macrophyllum

USA

Macassar ebony

Diospyros celebica

Celebes Islands

Mesquite, Honey

Prosopis glandulosa

S.W. USA & Mexico

Olive

Olea europa

Mediterranean

Pernambuco

Guilandina echinata

Brazil

Purpleheart

Peltogyne paniculata

C. & S. America

Pink ivory

Berchemia zeyheri

S. Africa

Pink myrtle

Nothofagus cunninghamii

Tasmania

Rosewood, Brazilian

Dalbergia nigra

Brazil

Rosewood, Laos

Dalbergia cultrata

Myanmar

Snakewood

Piratinera guianensis

Guyana & Suriname

Tasmanian blackwood

Acacia melanoxylon

Tasmania

Tiger myrtle

Nothofagus cunninghamii

Tasmania

Tulipwood

Dalbergia decipularis

Brazil

Thuya

Tetraclinis articulata

N. Africa

Walnut, Claro

Juglans hindsii

California & S. Oregon

Yellowheart

Euxylophora paraensis

Brazil

Ziricote

Cordia dodecandra

Mexico

Commission Work

I am happy to do work on commission. Custom work generally does not cost more.
Contact me with your ideas.

Dick-at-Work-005

Here is where you will find me most of the time.

About my work.

A few words about my work and how you can use it.

I sign each piece I make in the form of my logo that you see on the top of the page.

Writing instruments. Writing instruments come in a variety of of forms: mechanical pencils, ballpoint pens, rollerball pens, fountain pens. Each form has its own application. I know that there a lot people making handmade pens these days. I take the time to make my pens unique in some way. That is why many of my pens are faceted. Creating the facets takes extra time, but the final product makes it worthwhile. The result is a pen that is like no other. The writing instruments I make use standard refills you find at your local stationery store.

Wine accessories. You open a bottle of wine, but you did not drink it all. Put one of my stoppers in it and keep it on your counter. Enjoy the beauty. New Product! This year I have launched a line of wine glasses. These have hand-blown glass bowls to which I add a stem and a base.

Bowls. Most of the bowls I make are intended to hold food items. These are finished with a food safe finish. Use them for snacks or a bowl of cereal for breakfast. Occasionally I make bowls that are for show. These will have a glossy finish. While all the finishes I use are food-safe, I will note this in the description

Lidded boxes. Lidded boxes comes in a variety of shapes and sizes and materials. You can use these holds stamps or paper clips, or jewelry. The finish I use varies.

Desk Accessories. These include paper clip caddies and business card holders.

About the Materials I Use

I am sensitive to origins of the materials I use. The woods come from certified sources, so I do not contribute to deforestation. The materials from animal sources (skins, ivory, antlers) are by-products from humanely harvested animals. When I use ivory I ensure it is from legal sources. It may be mastodon ivory or reclaimed ivory from a piano keyboard.

Desert ironwood. I live in the desert so I am especially fond of using local materials. That is why frequently I use desert ironwood (Tesota Olneya). Not only is this wood is extremely hard and heavy (It will not float.), it occurs in a most pleasing array of oranges, yellows, browns and black.

Here is a list of the woods that I typically have in stock:

Who I am

I consider myself a functional artist. My work is intended to be used rather than hung on a wall. Thus, the overall design of my work is dictated by its intended use. But the individual elements of the design are inspired by natural forms. I like to let the materials speak for themselves.

My work takes the form of writing instruments: mechanical pencils, all types of pens and desk accessories. For oenophiles, I offer wine stoppers, wine glasses and bottle openers. I make bowls for popcorn, and lidded boxes if you have something to hide.

The main materials I use are wood, metal, and stone. Occasionally I venture into materials even more exotic, like antler, ivory, nuts and skins. These are primal and they carry with them a basic expression of earthiness. They age with dignity by forming patinas that reflect their use.

All the photographs of this site are the exclusive property of Richard Altenhofen LLC.
All reproductions are strictly prohibited without the consent of the author © Richard Altenhofen 2006.
This site was conceived and realized by Richard Altenhofen, woodturning artisan.

12/4/2008. Holiday season is here! For your convenience, I have established a new means to purchase from my site! Click on My Gallery for details.
10/29/2008. Fall season is now in full swing. Here’s hoping that economy can support a good season for me. So far the shows have been good, with one exception. The remaining shows are high caliber so I expect to finish off the year on a high note.
08/02/2008. In spite of having no shows, this summer has been a busy one. I am now showing in four Galleries. Check out the new Galleries Page or the details. I have collected two new woods: palo brea and olive. And, I bought a bigger, more powerful lathe!



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